Belly Casting | louisvuittonbelt.info
Breaking the mold: Myleene Klass turned her baby bump into a work of art A plaster cast of your pregnant stomach to hang on the wall as a permanent .. Jim Carrey, 56, is dating Kidding co-star Ginger Gonzaga, 34 as. The belly beautiful: Unveiling the pregnant body Kits may be purchased online to create one's own plaster belly cast, complete with paint anthropology has been so fond of analysing (dating to the days of Lévi-Strauss). why and why now the pregnant belly can – or must – be unveiled. one's own plaster belly cast, complete with paint for embellishing; and, speaking of paint pology has been so fond of analysing (dating to the days of Lévi-Strauss). It pro-.
If you choose to do it yourself, here is a list of materials needed: Sit in a comfy chair. Do not lay down, because your belly and breasts will flatten out. Tuck a towel in the waist of your pants. Rub Vaseline all around the belly in a thin layer. Cut strips of the plaster about a foot long each.
Fill a bowl with water. Take a strip of the plaster and dip into the water for about 15 seconds. Apply smoothly along your belly. Continue to take the wet strips and place them around your belly until a thick enough layer has formed. Smooth the strips with wet hands. Make thicker layers around the outside of the dome so that it can remain sturdy. After this part is completed, take your blow dryer and dry the cast completely. When it is ready, peel off the skin carefully.
The tenuous and complicated relationship between health and beauty during pregnancy is intertwined with the umbilical cord of the intrauterine environment and the gravid belly with its own navel. Pregnancy is disguised by metaphors and euphemisms; alluded to in fairy tales; brought out into the open in creation myths and then covered again in mystery.
The expecting belly appears in art through veiled strokes just out of the corner of the eye. The swelling belly is cloistered so as not to invite attention, admiration and even danger from envy and the evil eye.
Billowing attire obscures the contours of the blooming body and neutralizes suggestions of sensuality. This article explores the emergence of the pregnant belly into the spotlight initially in the celebrity world of the earlys and discusses why and why now the pregnant belly can — or must—be unveiled.
In the last twenty years, ways to embellish, adorn, stylize, decorate and expose the belly have reached a level of elaboration previously unknown in the clothed body of western civilization. An astounding array of new consumer accoutrements, aside from the already-popular gels, creams and cocoa-butters, are available to enhance the expanding abdomen and to assure women that pregnancy is beautiful — and, in particular, the belly. Collections of aesthetic art photography of pregnant figures are advertised on well-known book order links and more down-to-earth impromptu snapshots of bellies are posted in chatrooms.
The trendiness of the exposed pregnant belly cuts across contemporary geo-political boundaries and possibly historio-culturally defined collectivities. Exceptions are provided by the high fertility cultures and social strata of populations where pregnancy is less of a unique event than in 1. The aesthetics of pregnancy are not always focused on the photo album tracing the growth of the embryo in ultrasound snapshots or the blooming belly art photography. The belly-in-profile publicity is usually traced to the nude photo of the movie actress Demi Moore in her latter months of pregnancy which appeared on the cover of a popular magazine in Figure 1.
The montage provoked heated moral and ethical debates and eventually a series of similar photos of other personages during pregnancy — including two of men with computer-graphics bellies mimicking the original posture.
Thus began an era of fashionably-draped, but clearly outlined bellies of movie stars in the bloom of pregnancy posing for the media. Celebrity bellies peeking out from under t-shirts are monitored by paparazzi — or on the red carpet of film premieres draped in caftans.
The actress Lucille Ball made media history in the s by continuing to appear on her US television series throughout her entire pregnancy. Even though her comic repertoire was enhanced with exaggerated stances where the belly was suggested, it was still under the wraps of her rotund maternity dress. Nearly 50 years later, the heroine of a US action series Alias carried her real-life belly with her throughout the entire season of filming and story lines centred on her contours.
Not to be outdone, women moderators on morning television talk shows in Athens Greecebeginning in the early s, successfully popularised new visions of pregnancy for their audiences. However, this article is intended to be a pomegranate; hopefully full of seeds for thought and expansion by other researchers.
How has it taken stage centre, not only figuratively as in the past, but in a very material and physical way? This is quite different from the image of women as glowing with health during pregnancy; instead the focus is on the belly which is distinctly singled out as the main element of beauty.
This provokes anthropological questions such as what does the idea of the belly beautiful illuminate about contemporary western culture, women and pregnancy, couples and childbirth, and the future of reproductive technology … and desires.
The female reproductive anatomy is imagined as full of secret chambers and deep caves which are essential to human life. When the dissection of human cadavers and autopsies became a legalized part of scientific curiosity, draped, semi-nude, unconscious and possibly dead women began to appear as central figures in paintings of surgeries, operating theatres, and autopsies. The male figure is rarely on display in this vulnerable manner; instead, men are the surgeons and the scientific observers of the gothic scenes painted in dark strokes see Jordanova The gendered characterization of both nature and science is clearly stated in the bronze statue unveiled by Louis-Ernest Barrias inNature Unveiling her Secrets to Science Figure 2.
The art of the era also brought childbirth into focus — but this was hardly new in most parts of the world.
Childbirth had been depicted in the art and material culture of humans in prehistory, through ancient Egypt, Greece and Rome; throughout the Indo-Oriental world and Native American cultures MeltzerStone Paintings and sculptures of explicitly pregnant women with swelling bellies and not simply chubby were absent, but birth settings were permitted.
Indeed, paintings of the birth of the Virgin Mary and Nativity scenes are abundant in the Christian tradition. A few paintings of home-birth settings are more down-to-earth and instructive; e. Georges de La Tour, an early 17th century artist from Lorraine, painted five representations of a pensive Mary Magdalen; e. However, Dutch fashions in the midth century seemed to have encouraged a bulky silhouette; e.
While fine art of the 18th century European schools never seemed to have a shortage of women with a well-rounded abdomen, the reason for the curves was unclear — pregnancy or notions of beauty or both. Alice Neel, an American artistincluded the pregnant nude form in her works which were often marked by a sense of despair and poverty.
The focus of the public upset was not only the belly of Alice Lapper. It was the absence of her arms and her short legs, a result of a rare chromosomal disorder, which however, did not distract her from becoming an artist, the mother of a son, and celebrating her pregnancy in her own photographs.
Maternity fashion or perhaps non-fashion became increasing less bubbly and ballooned, leaning towards stretch leggings and kolans, athletic jogging clothes and lycra tops. In-vogue and everyday apparel in general became more minimalist, more revealing; e.
Pregnant and non-pregnant women alike wear these billowing lines and both wear curve fitting t-shirts and body clinging cotton knits. The belly was unveiled along with its adjacent curves which helped to distinguish it from the simply chubby, uninhabited bellybeginning from the diaphragm and ending with the slope toward the pubis. The protruding inverted navel, a popular decoration of Mother Nature during the last few months of pregnancy, also found a place in fashionable view after embarrassing itself for generations.
In fact, the upper slopes of the belly were probably never the target of cover-up maternity attire; it was the downward slope which needed to be obscured. Rather, the tenty, balloony styles were designed to obscure only specific points on and around the belly, especially the navel and … that precarious slope towards the lower regions of the body.
It is photographed as a solo element, even without the rest of the body; or as a point of reflection for the pregnant woman, sometimes surrounded by other intimate figures whose gaze follows hers.
The symmetrical, nicely rounded belly predominates; but the rest of the body is usually not marred by any hint of the edema of pregnancy; i. The legs and arms remain slender; in some photos the legs look too spindly to support the belly, the arms too ethereal to rescue a toddler from falling down.
Both arms are often folded over the belly, or one usually the right arm is flung over the breasts and the other usually the left is under the belly as in the original Demi Moore cover photo. The curve of the lower back a nagging pain centre for most women during pregnancy and birth has its own spotlight — responding to the bulk of the belly it supports, protruding out of a slightly open pair of blue jeans on an otherwise adolescent figure.
As if to mimic art, a flood of internet links post photos of women during pregnancy, snapped by their own digital cameras. The sites also serve as question-answer forums and support groups for the exchange of information and experiences; e. How can we explain the rush to expose the belly …the lack of hesitation or inhibition to bare it all? Myths, metaphors, media Scripts for revealing pregnancy to family and larger society can be located in myths, fairy tales, folk sayings, metaphors, stylised vocabulary and local conventions.
The secrecy and intrigue enveloping a suspected pregnancy without the evidence of a belly, and the observation of the rules and rituals for its eventual revelation, provided a fertile arena.
The creation of restrictions, taboos, rewards and punishments about the perhaps-pregnant body were enough to chase Jack up the Beanstalk and provoke Rapunzel to let down her hair.
Pregnancy is a repository of the solidarity and prognosis of the family and community. As a liminal phase, it is a perfect time to ask advice from elders, solidify religious commitments, consult with oracles, seek fortune tellers and perhaps even conspire with the dark forces. The fairy tale has long represented reproductive realities Tucker Hidden within the plots, particularly the literary tales of 17th century England and France, when the authors were often women, are references to ways to identify pregnancy and to delicately manage the transmission of information about it.
Versions of Rapunzel are full of allegorical references to food cravings in pregnancy, the sexual meaning of braided hair, the desire of old crones for a child of their own and implicate the peasant as a supplier of infants for barren nobility LurieWarner Food symbolism is called upon to explain what is growing in the belly — or how it got there; for example, foods containing seeds and even better, beans — seeds with a personality and even ethics.
In the US, the watermelon suspiciously shaped like the pregnant belly is sometimes the culprit: Slang terms indicate an unplanned pregnancy: The gravid belly sets all speculation aside and puts gossip and wagging tongues to rest. Earlier signs of pregnancy can be camouflaged, kept out of the public eye or manipulated as called for in the plot; for example, dizziness and fainting are the usual clues in Victorian theatrical and literary works which signal a pregnancy in progress. Parallel processes emerge from an analysis of the relationship between imperialism and motherhood see, for example, Davin Invalidism was thrust upon women, but it was also appropriated by women to their advantage; for example, to divert prying eyes from the early symptoms of pregnancy.
The first ultrasound is recommended early in the first trimester — and from then on, everything needs to become as transparent as possible. In this context, why not put the belly in the spotlight - why not bring its contours into full view?
In the world of virtual and real-time telecommunications and international mass media, prenatal health programmes have tended to create a transcultural script for revealing, discussing and protecting pregnancy.
Not that all women and men everywhere will put it into action, but it is probably safe to say that they note the differences between what they are accustomed to and what they see from elsewhere. In the early years of television, knitting booties [baby stockings] was the signal to husbands that they were about to be informed that they would become fathers.
Soap operas in the US which often appear in other countries create story lines to educate the public about ways to verify pregnancy and appropriate protection of the embryo. Many a pregnancy in these afternoon series is revealed by the discovery of a carelessly discarded pregnancy test kit or a woman declining a glass of wine during a celebratory dinner. Historical and cultural contexts provide scripts for pregnancy.
The scenario for announcing pregnancy that women have in mind is mediated by the audience and a protocol for revelations. Pregnancy announces itself when the belly begins to emerge.
Until then, it is nurtured, protected and guarded, but not discussed. It invites admiration and jealousy from nearly all ages: Younger children in the family, people at the end of their reproductive time and couples committed to becoming parents, unsuccessful in their efforts, experimenting with new reproductive technologies.
Women who are now great grandmothers avoided announcing pregnancy due to their fear of the evil eye — an extremely tenacious construct which is ever-ready to be called upon to explain the unexpected and unforeseen. In this case, it complements the sense of propriety and love of honour. Contemporary grandmothers, who may have never even seen their own belly in full view of a mirror, remember being warned about the evil eye; thus, they caution that showing off the pregnant belly is inviting danger.
Although the evil eye is not a reference, it is nearly impossible for them to fathom why young women are so blatant in allowing the contours of their belly to be visible to others. Young women — in their late 20s — late 30s are not worried about the evil eye; instead, the lure of the belly beautiful has caught their eye. I liked to walk with it out in front as much as possible. The same could be said of women in small towns in Germany or the mountains of the US where the protection of the good family name was the ultimate virtue which, of course, automatically included the virginity of its daughters.
The same could be said of women in Asia — the ideal of passivity and servitude of men — who, nonetheless, have recently organized their pregnant belly painting contests.
Your life is decided 'in the womb' - Telegraph
In these contexts, the advertised and elaborated belly seems like a foreign epidemic and epidemics always come from elsewhere, do they not? There is an expectation that the belly will be seen, will not be hidden; will be even adorned as part of attention to pampering, improving upon, taking care of and ultimately keeping the body healthy.
The s clearly began the era of the belly as fashion at first the young belly, later the pregnant belly ; it was a definite break from earlier epochs in two ways: This is strikingly demonstrated in a chlorine bleach advertisement Dobscha which presents six feminine archetypes of the second half of the 20th century: The woman of the s, the only figure shown in profile, is dressed in pyjama-slacks, flip-flop sandals and … a skimpy lycra top stretched over her belly which she is supporting with her hands.
The only pregnant woman of the six figures in the advertisement seems to suggest a celebration of the pregnant body; a body which is now as normal and as generic as the others see Figure 5. But what is troubling about the woman of the 90s in the advert is that she is a new stereotype of the pregnant woman: Her figure says that while US culture is willing to accept the image of the pregnant body, it is only a certain type of pregnant body that is revered.
It is only the belly that should look pregnant and rotund; the ankles should not be swollen, the knees not chubby, the upper arms not flabby.
The maternity clothes adverts of the s in the US used non-pregnant models Dobscha In some parts of the world maternity clothing is not advertised in catalogues or shop windows or even considered as necessarywhile in some countries, the advertisements use cartoon figures rather than photographs of real women.
As for seashore apparel, pregnant women are encouraged to bare as much as they dare. Favourite blue jeans can still be worn during pregnancy; simply weave the b-buckle through the belt loops, leave the zipper open and the b-buckle will cover up open space. One advertiser boasts that the b-buckle is a favourite of celebrity moms and another explains, Necessity is the mother of invention. And mothers everywhere needed b-buckles desperately. Now, sexy mamas can wear their hottest designer jeans throughout their pregnancy and beyond.
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